CiupinAra
2013 ongoing
The sculptural practice of the italian Alberto Scodro tackles and exploits in his spatial installations the points of tension, the memory or functionality of a given environment, architecture or landscape. At times, he likes to subvert the very essence of a given material (e.g. in his floating stones), or to resort to small interventions that totally alter the functionality of a given object (nap door handle).
In the present case, his Ciupinara functions as a more autonomous sculptural piece, although it offers a good reflexive counterpoint to the very architecture of Maison Grégoire, entirely conceived for the circulation of air and light.
As such, Ciupinara is a cast of an invisible and hidden architecture, at least to most of us, made by a hidden and blind architect : the galleries excavated underground by a mole. In this case, the invitation addressed to the viewer of the piece could also be directly addressed to its alleged creator.
E. Lambion, Maisone Gregoire 2015
The sculptural practice of the italian Alberto Scodro tackles and exploits in his spatial installations the points of tension, the memory or functionality of a given environment, architecture or landscape. At times, he likes to subvert the very essence of a given material (e.g. in his floating stones), or to resort to small interventions that totally alter the functionality of a given object (nap door handle).
In the present case, his Ciupinara functions as a more autonomous sculptural piece, although it offers a good reflexive counterpoint to the very architecture of Maison Grégoire, entirely conceived for the circulation of air and light.
As such, Ciupinara is a cast of an invisible and hidden architecture, at least to most of us, made by a hidden and blind architect : the galleries excavated underground by a mole. In this case, the invitation addressed to the viewer of the piece could also be directly addressed to its alleged creator.
E. Lambion, Maisone Gregoire 2015